Konkordanz (Patrick Faurot)
Konkordanz is an experimental performance that positions the body of the performer within the medium of sculpture and the existential conflicts of Samuel Beckett's literature. The performance is set to a 97-minute audio tape recording of a score generated by the concordance indexing method applied to Beckett's novel The Unnameable. The performer is seated before several blocks of clay, which he deliberately and slowly molds to his body, transforming the texture and very thickness of his skin, and so also the ontological state of the body. The piece encounters isolation, darkness, plateaus of time, the passage of the inert body through the void, and the dubious sources of consciousness.
heart; Jesus; love; pain; time; mad; leg; God; void; grey; vain
The tape recording is in English.
Club der polnischen Versager, Ackerstraße 168, 10115 Berlin
Credits:
Konzept und Performance – Patrick Faurot